In an exciting turn of events, See-Saw Films is setting the stage for a compelling English-language adaptation of “Trust No One,” an Israeli spy series that promises to enthrall viewers with its intricate storytelling and riveting performances. This move comes as no surprise given the growing appetite for high-quality international content, especially in the realm
International
In a pivotal moment for independent film production in Europe, the European Producers Club (EPC) has appointed Julie-Jeanne Régault as its new Managing Director, succeeding Alexandra Lebret, who dedicated 23 years of her life to the organization. This transition marks an important chapter not only for the EPC, which has operated for over three decades,
In the heart of Hong Kong’s bustling cultural landscape lies the Hong Kong-Asia Film Financing Forum (HAF), a beacon for emergent cinematic talent. Celebrating its 23rd anniversary, HAF has consistently proven to be not just a project market, but a vibrant incubator for innovative storytelling. Scheduled from March 17 to 19, this year’s edition has
As Korean entertainment continues to make waves globally, the collaboration between Barunson E&A and Indonesia’s Miles Films in producing ‘Rangga & Cinta’ signifies a promising fusion of creative cultures. Slated for international sales launch at the highly regarded Hong Kong Filmart, the film is a modern revival of the iconic 2002 film ‘What’s With Love?’
In today’s world, the quest for authenticity has never been more critical, especially for young actors navigating their identities within the entertainment industry. Sir Ian McKellen, an esteemed figure in both film and theater, passionately encourages emerging gay actors to embrace their true selves. His persuasive analogy comparing the challenges faced by these artists to
In an era where narratives surrounding female empowerment are pivotal to global discourse, the introduction of ‘Glorious Summer’ emerges as a fortuitous addition. Premiering in the esteemed Global sidebar of SXSW, this groundbreaking film directed by the innovative Polish duo Helena Ganjalyan and Bartosz Szpak challenges conventional storytelling. With Alief securing world sales rights, there
The beloved Bridget Jones has once again captured hearts and box office dollars, with “Bridget Jones: Mad About the Boy” recently surpassing the impressive $100 million mark in international earnings. This iteration, featuring the talented Renée Zellweger back in her iconic role, is not just a testament to nostalgia but an emblem of how a
ProSiebenSat.1 Media, a prominent German media firm, has unveiled its financial results for the 2024 fiscal year, painting a nuanced portrait of its operational landscape. With a revenue of €3.92 billion, representing a 2% increase from the previous year, these figures reveal resilience in certain segments despite prevailing macroeconomic headwinds. Interestingly, the revealed adjusted EBITDA
The BBC finds itself at a pivotal crossroads as John Shield, the long-standing head of communications, announces his departure from the corporation after more than a decade of distinguished service. Shield has played a crucial role in navigating the BBC through tumultuous waters, from the aftermath of the Jimmy Savile scandal to the many trials
The landscape of British television and film is in a precarious state, teetering on the edge of sustainable creativity due to a lack of funding. Public statements from BBC Director General Tim Davie about potentially supporting a “streamer levy” signal a significant and crucial reevaluation of how the UK can revitalize its scripted content. As