Box Office

Ten years have passed since the release of the original “John Wick,” a film that quietly entered theaters but has since grown into a cultural phenomenon. Directed by Chad Stahelski and written by Derek Kolstad, the film starred Keanu Reeves as the titular character. Despite its modest box office performance—attaining only $43 million domestically and
0 Comments
In recent years, the reputation and financial stability of Landmark Theatres have been compromised significantly. The confluence of the COVID-19 pandemic, surging interest rates, and strikes within Hollywood has led to an unprecedented decline in the chain’s value, as revealed in a deposition from its owner, Charles Cohen. This drastic downturn is currently being scrutinized
0 Comments
The cinematic landscape is ever-evolving, with indie films frequently carving out significant niches in the box office. This past weekend showcased a remarkable performance by indie films, particularly with the standout title **Anora**, which achieved an impressive per-screen average (PSA) of $90,000, accumulating a total gross of $540,000 across only six screens. This occurrence marks
0 Comments
As the holiday season approaches, the buzz surrounding Disney’s highly anticipated sequel, Moana 2, is growing louder. According to early tracking data released on Friday, the film is projected to rake in over $100 million during its initial five-day opening, which encompasses the Thanksgiving holiday week. Specifically, estimates suggest that the film will earn between
0 Comments
The ongoing legal battle between New York real estate tycoon Charles Cohen and Fortress Credit Corp. has reached critical junctures that could reshape the landscape of commercial real estate financing. At the heart of this struggle lies a $530 million loan that Cohen secured against several high-profile assets, including Landmark Theaters—a substantial part of his
0 Comments
This weekend marks the much-anticipated release of “Smile 2,” a sequel produced by Paramount that aims to build on the success of its predecessor, which became a cultural phenomenon in the post-Covid film landscape. While the original “Smile” debuted to a remarkable $22.6 million in its opening weekend and ultimately grossed over $105 million domestically,
0 Comments