In an unexpected turn of events, acclaimed actor John Malkovich is poised to redefine his artistic identity through music in A24’s new project, “Opus.” Teaming up with writer-director Mark Anthony Green, Malkovich showcases a pop sensibility that is almost surreal, as he taps into his character, Moretti, for a new single titled “Dina, Simone.” Accompanied by industry heavyweights Nile Rodgers and The Dream, this track reflects the vibrant influences of the ’80s and ’90s, giving it a distinctive nostalgic flair reminiscent of artists like George Michael and Depeche Mode.
Malkovich’s involvement in “Opus” marks a significant departure from his traditional film roles, showcasing his versatility beyond acting. The mood of “Dina, Simone” sets the stage for a new dimension to the actor’s career, reflecting a renewed spirit of exploration. Three original songs attributed to Malkovich will accompany the upcoming film set to release alongside its soundtrack, which promises to offer a rich auditory experience. As the date approaches, excitement is building for both the film and its accompanying music.
Ahead of the film’s premiere at Sundance, Malkovich shared insights on his journey toward reclaiming his vocal abilities. In a candid conversation at the Deadline Studio, he humorously remarked on the challenges he faced, declaring, “I hadn’t sung any pop in probably 40 years or more.” Despite his initial skepticism about the music’s potential, Malkovich’s collaboration with Green and the recording team brought forth a compelling challenge that he met head-on. Green himself acknowledged that Malkovich had to step into significant musical shoes, remarking on the dynamic atmosphere of creativity that surrounded the project.
Malkovich’s genuine surprise at the quality of the music underscores an age-old artistic trope: confronting one’s doubts and stepping into unknown territories. His reaction points toward the broader narrative of artists reinventing themselves, questioning their past, and pushing against personal boundaries.
At the heart of “Opus” is not only Malkovich’s musical journey but also the intriguing storyline that promises to captivate audiences. The film revolves around a young writer, played by Edebiri, who finds herself on a surreal adventure as she visits the enigmatic pop star Moretti, who vanished thirty years prior. This narrative setup allows for a rich exploration of fame, identity, and the often-tangled web of artist and admirer. As she navigates through the compound filled with sycophants and journalists, viewers can anticipate a darkly comic reflection of celebrity culture and human relationships.
With the film and its soundtrack quickly approaching their respective release dates, fans are eager to witness Malkovich’s artistic metamorphosis. The fusion of cinema and music in this project reflects a refreshing trend in filmmaking, where soundtracks play an integral part not just in setting the mood but in reflecting character development, particularly for an actor known for his powerful on-screen presence. As both a film and musical project, “Opus” undoubtedly promises a unique blend of nostalgia and innovation, marking a fascinating new chapter in John Malkovich’s storied career.