As the year draws to a close, A24, the esteemed independent studio, is gearing up for a compelling lineup of films that have garnered attention on the festival circuit. Set for theatrical release in the fourth quarter, two noteworthy films, “Queer” and “The Brutalist,” showcase a blend of acclaimed talent and intriguing narratives. Both films made their festival debuts at notable events, indicating A24’s strategy of building anticipation through exclusivity and artistic merit.
“Queer,” directed by the celebrated Luca Guadagnino, emerges as a poignant adaptation of William S. Burroughs’ novel. Critics have positively received the film, securing a fresh rating of 78% on Rotten Tomatoes. The narrative centers around William Lee, portrayed by Daniel Craig, an expatriate in his late forties who has resigned himself to a life of solitude. Lee’s world is disrupted by the arrival of Eugene Allerton, a vibrant young student whose presence challenges Lee’s emotional detachment. This film isn’t just about personal reconnection; it’s a broader commentary on the complexity of human relationships, particularly in an often alienating society.
Supporting performances from an ensemble cast, including Lesley Manville and Jason Schwartzman, further enhance the film’s exploration of loneliness and the longing for companionship. The choice to premiere at prestigious festivals like Toronto and the New York Film Festival adds a layer of prestige, positioning “Queer” as a significant contender for both box office success and critical acclaim.
On the other hand, “The Brutalist,” directed by Brady Corbet, recounts the riveting journey of László Tóth, a Jewish architect played by Adrien Brody. The film is set against the backdrop of post-war America, exploring themes such as identity, heritage, and the struggle for success amidst adversity. Corbet’s vision, paired with Mona Fastvold’s writing, has led to a staggering 98% fresh rating on Rotten Tomatoes, underscoring its critical appeal.
What sets “The Brutalist” apart is not merely its narrative but also its grand execution. Spanning over three hours and presented in VistaVision, this ambitious film includes an intermission, inviting audiences to fully engage with its artistic flourishes. The film’s reception at the Venice Film Festival, including a 13-minute standing ovation and a Silver Lion award for Corbet, hints at its potential to resonate with viewers on a deeper level.
As “Queer” prepares for a limited release on November 27, “The Brutalist” follows later on December 20, with both films set to compete for audience attention alongside other noteworthy titles like Sony Pictures Classic’s “The Room Next Door.” The December landscape, traditionally a competitive arena for cinematic releases, will undoubtedly shape the discussions surrounding these films.
A24’s upcoming releases serve not only as artistic endeavors but also as strategic moves within the film industry’s marketing landscape. By capitalizing on festival buzz and acclaimed talent, A24 continues to solidify its reputation as a purveyor of unique and thought-provoking cinema. As moviegoers anticipate these captivating stories, it remains to be seen how they will fare against the backdrop of a busy holiday season.